Debra rae cohen biography channel
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Ireland and the Problem of Information
Introduction
The Problem of Information
Just after the end of the Second World War, a small, plain booklet titled Ireland’s Stand was published in Dublin collecting a selection of speeches delivered by Eamon de Valera, the Irish Taoiseach, during the six years of conflict. Drawn from press interviews, statements made in Dáil sessions, and radio broadcasts, the speeches outline the evolving rationale for the state’s wartime policy of neutrality. As its title suggests, the booklet as a whole was also meant to defend the policy in the postwar world, in which the niceties of national self-preservation, practiced and articulated seemingly without regard for larger ideological or geopolitical alignments, were receiving an even less welcome hearing than they had in the decade before the war. Indeed, for many officials and opinion makers in the victorious Allied nations, Irish neutrality remained all but synonymous with collaborat
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Broadcasting Modernism (Trade Paperback)
It has long been accepted that film helped shape the modernist novel and that modernist poetry would be inconceivable without the typewriter. Yet radio, a key influence on modernist literature, remains the invisible medium. The contributors to Broadcasting Modernism argue that radio led to changes in textual and generic forms. Modernist authors embraced the emerging medium, creating texts that were to be heard but not read, incorporating the device into their stories, and using it to publicise t...
It has long been accepted that film helped shape the modernist novel and that modernist poetry would be inconceivable without the typewriter. Yet radio, a key influence on modernist literature, remains the invisible medium. The contributors to Broadcasting Modernism argue that radio led to changes in textual and generic forms. Modernist authors embraced the emerging medium, creating texts that were to be heard but not read, incorporatin
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Trent Reznor Recalls How David kniv Helped Him Get Sober
There was a subdued reaction to him for the most part. In the environment of an outdoor-amphitheater rock concert in the summer, people with 32-ounce beers probably would have preferred to hear “Changes,” rather than an art installation on stage. He did what he wanted to do. That made an impression. And I think about that anytime I’m going to ask for your attention or your money in some capacity.
On that tour, I was a mess, quite honestly. This was the peak of Nine Inch Nails‘ newfound rocket ship of fame. It distorted my personality and became overwhelming: to deal with having everyone treat you different, to going from not being able to afford a gas bill to show up to arenas full of people, who kind of think they know you. The line starts to blur between the guy onstage and the person you used to be. My way of dealing with life was to numb myself with drugs and alcohol, because it made me fe