New music biographies
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The Best Music Books of 2024
No music writer riffs on the page like David Toop — nobody can replicate his sinuous line. He’s a spell-caster, often finishing off a chapter with a jolting will-o’-the-wisp, giving the rigorous research laid out before it a bit of smoke and glitter. Dr. John’s Gris-Gris (1968), Mac Rebennack’s first recording under that moniker, was a New Orleans reunion in L.A.’s Gold Star Studio, masterminded primarily by producer Harold Battiste, who ran with the Black Arts Movement when not arranging for schlockmeister Sonny Bono. Gris-Gris was made primarily by Black musicians, with Rebennack singing in character as a “conjuring” medicine man, a figure of Black New Orleans lore. Here, Toop unwraps every strand of the skiva and its historical roots, with special attention to the racial dynamics at play. Rebennack’s frequent fact-fudging in interviews, Toop writes, “amounted to a strategy —
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It’s an archival endeavor structured through individual album reviews, each of which transcends mere formal description. The chapters are meticulously contextualized, immersing readers into the musical and sociopolitical milieu from which these albums sprouted. But they also explore how these artists speak to shared experiences across the Spanish-speaking diaspora—regardless of the “zip code of their residence, their accents, or their stylistic influences.” The book is packed with delightful easter eggs, too, like playlist recommendations from guest contributors. Its creative direction is vividly inspired by the blogs and streaming platforms that revolutionized the decade, with tracklists, sidebars, and credits surrounding each review as though you can click on them. Whether you’re reading up on culture-shifting artists like Arca, or discovering Puerto Rican trap pioneers like Füete Billëte, Testigos del fin del mundo is an illuminating compendium that documents scenes and sounds
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