Johnny mathis biography tickets spokane

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    1962 in music

    #Artist Title Year Country Chart entries 1Elvis PresleyReturn to Sender1962USUK 1 – Nov 1962, Canada 1 – Oct 1962, Norway 1 – Dec 1962, Éire 1 – Dec 1962, Peel list 1 of 1961, US BB 2 – Oct 1962, RYM 6 of 1962, US BB 8 of 1962, POP 8 of 1962, US CashBox 10 of 1963, Germany 15 – Jan 1963, DDD 27 of 1962, Scrobulate 83 of rock & roll, Acclaimed 2154 2Ray CharlesI Can't Stop Loving You1962USUK 1 – Jun 1962, US BB 1 – May 1962, Canada 1 – May 1962, Australia 1 for 1 weeks Dec 1961, Norway 4 – Jul 1962, US CashBox 6 of 1962, DDD 6 of 1962, Germany 8 – Sep 1962, South Africa 11 of 1962, RYM 16 of 1962, US BB 30 of 1962, POP 30 of 1962, Italy 75 of 1963, Scrobulate 80 of r & b, Rolling Stone 161, Acclaimed 507 3The TornadosTelstar1962UKUK 1 – Aug 1962, US BB 1 – Nov 1962, Canada 1 – Nov 1962, Éire 1 – Nov 1962, South Africa 1 of 1962, RYM 2 of 1962, Norway 3 – Oct 1962, US CashBox 5 of 1963, Germany 6 – Jan 196
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    Gunther Schuller

    American musician (1925–2015)

    Musical artist

    Gunther Alexander Schuller (November 22, 1925 – June 21, 2015)[1] was an American composer, conductor, horn player, author, historian, educator, publisher, and jazz musician.

    Biography and works

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    Early years

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    Schuller was born in Queens, New York City,[1] the son of German parents Elsie (Bernartz) and Arthur E. Schuller, a violinist with the New York Philharmonic.[2] He studied at the Saint Thomas Choir School and became an accomplished French horn player and flute player. At age 15, he was already playing horn professionally with the American Ballet Theatre (1943) followed by an appointment as principal hornist with the Cincinnati Symphony Orchestra (1943–45), and then the Metropolitan musikdrama Orchestra in New York, where he stayed until 1959.[3] During his youth, he attended the Precollege Division at the Manhattan School of Music, later going

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    “I’M not afraid to admit I was a rather good dancer,” says playwright, director, actor and erstwhile terpsichorean tornado John Godber. “Not so good now, mind. My knees.”

    His ‘tap’ these days would be on the laptop, leading to his latest play, a hymn to Northern Soul that keeps the faith with the Wigan Casino days but addresses today’s believers in Do I Love You?, on tourthis week at the Stephen Joseph Theatre, in Scarborough, where John once cut a rug at all-nighters.

    “This is Northern Soul for a new generation, but with rising costs, unemployment and small-town blues, has anything really changed?” asks John, now 67. “Is this England 1973 or 2023? The pubs are closing, hospitality has gone, and strikes are everywhere…but when you’re out on the floor…”

    …There you will find Godber’s twentysomethings, Sally, Nat and Kyle, as they develop a love for Northern Soul and the people absorbed in its culture across the industrial north. What started as a college project has grown into a