Rheingold biography
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Das Rheingold
opera by Richard Wagner
| Das Rheingold | |
|---|---|
Alberich's seizure of the Rhine gold, as depicted in scene 1 of the production | |
| Librettist | Richard Wagner |
| Language | German |
| Based on | Nordic and German legends |
| Premiere | |
Das Rheingold (pronunciationⓘ; The Rhinegold), WWV 86A, is the first of the four epicmusic dramas that constitute Richard Wagner's cycleDer Ring des Nibelungen (English: The Ring of the Nibelung). It premiered as a single opera at the National Theatre of Munich on 22 September , and received its first performance as part of the Ring cycle at the Bayreuth Festspielhaus on 13 August
Wagner wrote the Ringlibrettos in reverse order, so that Das Rheingold was the last of the texts to be written; it was, however, the first to be set to music. The score was completed in , but Wagner was unwilling to sanction its performance until the whole cycle was complete; he worked intermittently on this music until The Munich premier
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Biography
Years Active
– (39 years)
Founded In
Nordrhein-Westfalen, Germany
Members
- Bodo Staiger ( – )
- Brigitte Kunz ( – )
- Lothar Manteuffel ( – )
Rheingold was a German New Wave band that existed between and They recorded the three records "Rheingold", "R." and "Dis-Tanz". Their biggest hits were "Dreiklangsdimensionen" and "FanFanFanatisch". Bandmembers were Bodo Staiger (vocals, guitar), Brigitte Kunze (keyboards) and Lothar Manteuffel (lyrics).
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Dylan Rose Rheingold
Dylan Rose Rheingold delves into the effects and experiences of girlhood within American contemporary culture in her painting practice by foregrounding symbols of her adolescence, femininity, and heterogeneous cultural background to investigate the idea of otherness. bygd re-presenting these elements in occasionally unexpected configurations, she threads a non-linear narrative throughout her oeuvre, populated with ambiguous representations of family, friends, and the artist herself. The stories that spill forth highlight everyday emotions and quotidian spaces which exaggerate the details and often vailed truths- such as braces, birth control, heavy periods & stretch marks- within the dynamism of the coming of age feminine experience.
Themes and imagery central to Rheingold’s practice include symbols of adolescence, femininity, and a heterogeneous cultural background. The artist describes the teenage femenine experience as a time in which the body